Home > Good For You (Between the Lines #3)(13)

Good For You (Between the Lines #3)(13)
Author: Tammara Webber

I think of Reid, and how I told him he was hopeless. How angry he was that I deemed him unworthy of my time or attention. I don’t know if he’s addicted to any particular substances, though he’s certainly addicted to his hedonistic substances, though he’s certainly addicted to his hedonistic lifestyle. But is he hopeless? Maybe he’s right. Maybe my snap judgment concerning him makes me a hypocrite.

“So you’re educating Bradford about real life, eh?”

“I’m attempting to, but he’s the most opinionated, obstinate man I’ve dealt with since Dr. Horsham in second year pathology.” Deb almost quit medical school because of Dr. Horsham, until Mom convinced her to go back and prove she was made of tougher stuff than that.

After I hang up, I lie on my bed thinking about my sister fighting for an ex-addict. She was right this time, but she won’t always be. There wil always be addicts who lie to get their fixes, taking hospital resources from those who have actual need. Stil , Deb wil find the people everyone else has given up on and resolve the most unmanageable problem—assuming there is a solution. That’s just how she is.

Mom was pul ing twelve-hour shifts in the maternity ward when she found out she was pregnant with me. She spent the last two months of her pregnancy on doctor-ordered bed rest, so her intention to fix up the nursery was wrecked.

My sister’s old crib, unearthed from the attic, stood pathetical y in the center of the otherwise bare room until Deb and Dad took over nursery decoration. Mom had a lamb-based theme planned, but that idea was tossed.

Thanks to the Discovery Channel, Deb was on a marine life kick, infatuated with the Great Barrier Reef. She insisted on decorating my room with fish.

Dad says I lucked out—her next fascination was lizards.

Deb and Dad painted the room turquoise. Twisting up from the floorboards were sections of coral created from orange posterboard, and twenty-two fish were strung from the ceiling, cut in Dad’s woodshop from a pattern and al painted the same iridescent blue-green. Mom had suggested that they be multihued, but Deb refused anything that wasn’t identical to her National Geographic images of damselfish.

The posterboard coral is long gone, and Mom and I repainted the room a lighter blue just before I started high school. The fish, though, remain. Attached to strands of transparent fishing line hooked to the ceiling, they swim in a school from my bedroom door to the window. My earliest memories are of those fish. As I lie with my head at the foot of my bed, they sway fluidly in the A/C-generated breeze, forever passing through.

Chapter 8

REID

“Supermodel checking you out, two o’clock.” I glance one direction and then the other. “John, dude, that’s ten o’clock.”

Aside from his inability to remember how to tel time on the face of an actual clock, my wingman is correct. Actual supermodel. Actual y checking me out. And now that I’ve noticed, she’s walking over. Stick-figure thin, she swings non-existent hips, her body and face al planes and angles, a long way from any Dorcas Cantrel doppelganger.

“Hey there,” John says.

“Hel o,” she offers me her hand. “I’m Dorika.” Of course she is. And the only reason I’l remember her name tomorrow is because it’s ridiculously close to that of a girl she doesn’t resemble at al , who I can’t stop thinking about for some insane reason.

“I’m Reid.” In her heels, we stand eye-to-eye. Makeup flawless, dark eyes half-mast and ringed with amethyst, she smiles when I graze her knuckles with my lips.

“Yes, I know. Reid Alexander.” She knows who I am.

Better and better.

“And I’m John.”

Her gaze never wavers from my face; John doesn’t even register with her, though he’s not a bad-looking guy. He might be a little short for her, unless she’s barefoot—but she’s got to be used to that. She’s tal er than the majority of the guys here.

I motion to the waitress to bring her another drink.

“Where are you from, Dorika?” Her accent is eastern European.

“I am from Budapest.”

“So what brings you to LA?” I couldn’t care less about her answer; it’s just part of the game.

“The handsome men, of course,” she laughs, tossing waves of dark hair over her shoulder. Her look is calculated, and I chuckle along with her to confirm that I’ve grasped her insinuation. “Also I am doing, how do you say it, a spread for Elle magazine.” I sense a vulgar comment coming from John and flash him my shut-the-hel -up face. To my amazement, he complies.

The waitress removes the near-empty glass from Dorika’s fingers and deftly hands off a fresh drink. “It is rather loud here,” she says, sipping.

“Wel , this is a nightclub.”

“I know a quiet bar nearby,” John interjects, but he might as wel be mute, for al the attention she’s paying to him.

“My hotel is a few blocks away. It is more comfortable.

Less noisy. You wil come with?”

I regard her for a moment longer. There’s no reason to say no. No reason at al .

*** *** ***

Dori

I pul the stirring stick out of the paint to test the consistency, dribbling a spiral onto the smooth white surface, where the liquid squiggles disappear almost instantly. Perfect. I take a satisfied breath, the chemical aroma something I’ve never disliked, even while it singes my nostrils.

Identical to the past three days, work slows to a standstil when Reid arrives. Now that he’s acquainted with the layout of the house, I’m determined not to go looking for him.

   
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